British-born Australian Painter, 1856-1931 Australian painter of English birth. A leader of the HEIDELBERG SCHOOL and pioneer of plein-air Impressionism in Australia, he has been described as 'the father of Australian landscape painting'. Having moved to Melbourne in 1869, he studied at the East Collingwood and Carlton Schools of Design and the National Gallery of Victoria's School of Art (1874-81) while working as a photographic assistant. He led sketching expeditions with Frederick McCubbin and initiated student requests for reforms at the school. Returning to England, he enrolled in the Royal Academy Schools, London, on 6 December 1881, officially recommended by Edwin Long. In the summer of 1883 he toured Spain with the painter John Peter Russell. He learnt something of French Impressionism from Spanish art students Ramon Casas and Loreano Barrau (b 1864), and then followed the latter's advice to visit the Academie Julian in Paris. He returned to Melbourne in 1885 and the following year established the first summer camp at Box Hill with McCubbin and Louis Abrahams (1852-1903), portrayed in his painting the Artists' Camp (c. 1886; Melbourne, N.G. Victoria). According to the painter Arthur Streeton, it was Roberts's 'quick perception and expression of the principles of Impressionism in the year 1886,  Related Paintings of Tom roberts :. | Self-portrait | Nancy Elmhurst Goods | Woman at the Piano | Captain Broomfield | From the Collection of the Art Gallery of New South Wales |
Related Artists:
Nathaniel Hone
1718-1784 British Nathaniel Hone (24 April 1718 ?C 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768. The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750-1752) studying in Italy. As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.[2][3] He courted controversy in 1775 when his satirical picture "The Conjurer" was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds (it also included a nude caricature of fellow Academician Angelica Kauffmann, later painted out by Hone), and was rejected by the Royal Academy. To show his reputation was undamaged, Hone organised a one-man retrospective in London ?C the first such solo exhibition of an artist??s work. His great-grand-nephew shared the same name and was also a notable Irish painter, known as Nathaniel Hone the Younger (1831-1917).
Carel de Moor
(February 25, 1655 - February 16, 1738) was a Dutch Golden Age etcher and painter. He was a pupil of Gerard Dou. Carel de Moor was born in Leiden. According to Houbraken, his father was an art dealer who wanted him to study languages and only allowed him to study art when his talent for drawing surfaced at a young age. Houbraken met him in person at the atelier of Godfried Schalcken when he was completing his education there. According to the RKD he was the son of a Leiden painter of the same name and a pupil of Dou, Frans van Mieris, Godfried Schalcken, and Abraham van den Tempel. He became a member of the Leiden Guild of St. Luke in 1683, and became deacon many times over in the years 1688-1711. His own pupils later were Pieter Lyonet, Andrei Matveev, Arent Pijl, Arnout Rentinck, and Mattheus Verheyden.
Cornelis Van Leemputten
(1841-1902) was a Belgian painter. Born in Werchter, Cornelius van Leemputten is predominantly known for his landscapes with sheep, similar to the style of Charles Jacque. He began his painting career without formal training. He was well-known for his barnyard subjects. Leemputten eventually became a pupil of the Academy of Antwerp, though his style remained primarily self-taught. Van Leemputten participated across several international exhibitions and received gold medals in Ghent in 1883, Edinburgh in 1886, Port Adelaide in 1887 and in Berlin in 1896. In 1895, he received the Knight of the Order of Leopold (Belgium).